Category: uncategorized


Adi Shankara

By Sharon St Joan

One of the great saints of Hindhuism, Adi Shankara, is believed to have been born in the eighth century AD, probably in Kerala, in southern India – and to have died when he was quite young, in his early thirties.

During his short life, he traveled all over India and up into the Himalayas. As a very young boy, around seven, he repeatedly asked his mother to allow him to become a monk. His mother refused, not wanting to lose him at such a young age, since, as a monk, he would have left her and gone off to travel with other monks.

There is a story, which is clearly not literally true, that one day, at the age of seven, when he was bathing in the river, he was attacked by a crocodile and one of his legs was partly swallowed. He cried out and his mother, who was nearby, ran toward him. She intended to rescue him, but he resisted, saying that he did not wish to be saved unless she would agree to let him leave home and become a monk. (Of course, this conversation could not realistically have taken place while the boy was being half swallowed by a crocodile.) However, as the story goes — seeing that he was determined and was about to be swallowed by the great crocodile, his mother relented and gave him permission to become a monk at the young age of seven. Then he allowed himself to be rescued – and set off to join other monks and begin his life of dedication to God. Later on, he returned to visit his mother.

Traditionally, permission to become a monk needed to be given by the mother specifically, rather than the father – perhaps with the expectation that the mother would place the future well-being of the child above any other requirements, such as that of being successful or prosperous.

Spending his life as a wandering monk, Shankaracharya travelled all over India, always walking on foot. He became very well-known everywhere and was accompanied by crowds of followers. Whenever he came to a big town, he would generally take part in a debate (as was the custom of those days) on a theological topic with a monk from the town. These debates drew large crowds and often lasted several days.

During his travels Shankaracharya set up four main headquarters throughout India, with the first one in Kerala, where he had been born. Actually, there were – and are today – five major centers – although the fifth, for some reason, is not always acknowledged. I have visited the fifth one, however – located in Kanchipuram, where there is still today a large center bustling with activity. There, the current Shankaracharya, lives and teaches. The tradition of each Shankaracharya being succeeded by another has existed, unbroken, since at least the ninth century.

Chandrashekarendra Saraswati, the Shankaracharya who preceded the current one, was revered as a saint. He lived to be over one hundred years old, and at the age of 100 he was still traveling, walking on foot for twenty miles a day, accompanied by crowds of followers. He lived on one handful of rice each day. Much loved as a saint and holy man, he gave talks in the villages that he traveled through.

The five headquarters in India of the Shakaracharyas, including the fifth one, in Kanchipuram, were established by the first Shankaracharya. The Sri Kanchi Kamakoti Peetham, when I visited it, was very busy, with people standing in a long line to see the Shankaracharya. The rooms and hallways were lively and crowded.

The Shankaracharyas represent the influential Hindu school known as Advaita Vedanta. The main tenet of this school is that Brahman alone exists. All else is, ultimately, illusory. The world as we see it is unreal, but the underlying, true reality is Brahman. This is not an explanation that can be grasped on a purely intellectual level. This truth is a mystical reality and can only be perceived clearly from that level, as if the sun has rolled back the clouds.

Adi Shankara is credited with the authorship of around one hundred writings. Many of these would have been attributed to him as a result of the common practice of ascribing authorship to a well-known author – regardless of who actually wrote the work in question. Despite that, Adi Shankara, clearly was a very prolific author of spiritual writing – and wrote a great many books — both poetry and prose.

One of the most influential and profound saints of the Hindu faith, his words live on, shining light down through the centuries.

Horse Rescue

Horse Rescue flyer

This s another Indian flapshell turtle.

The Indian flapshell turtle is a very unique creature!

The one that was brought in to the WRRC, on January 4, 2023, didn’t look at all well when she arrived at the WRRC, at the edge of the Bannergatta Forest, just outside Bangalore.

Not meant to be a pet

The woman who brought the turtle to the wildlife center explained to Dr. Roopa Satish, the veterinarian and wildlife rehabilitator at the WRRC, that she’d had the turtle for some time, hoping that she would do well as a pet and would be happy.

When the woman realized that the turtle wasn’t doing well and that she didn’t know how to care for her, she had put the turtle into her car and had driven all the way from the city of Mysore, to Bangalore, which was 144 kilometers or 90 miles away, to give the animal a better chance at life.

Although she didn’t give a specific account of how she had acquired the turtle, it was clear that she did care about her well-being.

The flapshell turtle is a protected species under the Indian Wildlife Protection Law of 1972, and it isn’t legal for private individuals to possess this wild species.

Dr. Roopa thanked the woman for bringing the turtle and then took the time to explain that keeping a wild animal as a pet isn’t legal, and also, it just doesn’t work well.

Though the woman never intended any harm to the turtle, keeping a wild animal in inappropriate conditions will certainly harm the health of any wild animal.


Wild animals should never be kept as pets

All wildlife go downhill when they are kept as pets and deprived of their freedom.

Wildlife rehabilitation is a process, sometimes quite lengthy, to get the animal well and strong enough, once again, to be able to survive when released back to the wild.

So many wild species – all different!

All wild species have very specific requirements. The various species are quite different, so it takes a highly trained, qualified wildlife rehabilitator to look after them – all this is regulated by law—in India and in most countries.

The woman hadn’t realized all that, but she had noticed that the turtle was lethargic and just not doing well. She was glad that she had brought her to a place where she could get the right care and regain her strength.

Upon arrival, the flapshell turtle weighed 1.175 kg (2.59 pounds).

After a routine examination, Dr. Roopa and her assistants placed the turtle in an enclosure with fresh clean water and sunlight to observe her natural behavior, reflexes, and appetite.

At first, she was observed to be very lethargic. All her limbs and her head were stretched out, basking in the sun, but she wasn’t moving or swimming. She seemed very weak.

She barely ate the fresh fish and shrimp placed in front of her.

A good sign

However, she did make some movements. She was shy and would retract her head and limbs into her soft shell whenever anyone approached her. So, that was a good sign!

After a week’s observation, they shifted her into a clean vivarium indoors for therapy.

The turtle is now being kept moist using a clean wet cloth, and daily sun basking is carried out. She also receives anti-microbial and anti-inflammatory therapy and is given lots of fluids too, to help her regain her health and strength.


Wildlife need special care

A flapshell turtle needs a pool with clean, fresh water. They need the right amount of sunlight, as well as heating or cooling to achieve the correct temperature for their species. Also, they need the right food – not too much and not too little. And they need enough exercise! There’s just no way that a person without a lot of special training can know about or provide all of this.

It can take a long time to bring a turtle like this back to a good state of health, to be released back to the natural world, where, thanks to the excellent care she is now receiving – if all goes well, she will lead a long and happy life.

A chance to recover

Dr. Roopa Satish writes, “We hope this turtle recovers completely and is released back into the wild.”

Thank goodness, the woman who tried to keep her as a pet realized the mistake she had made and brought her to the WRRC.

The turtle will require a lot of care! But now she has a chance to recover and one day be released back to the wild.

May you have a happy life, little turtle, and be able to swim free once again in a peaceful forest pool! We wish you well!

Photo 160084901 / Indian Flapshell Turtle © Maninder Singh | Dreamstime.com

© Copyright Forest Voices of India, 2023.

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PP Forest Voices of IndiaIMG_4251

resizedBalaji photoIndia_-_Mamallapuram_-_030_-_Arjunas_Penance_Bas_Relief_(490988077)

By Sharon St Joan

 

The identity of one of the greatest artists of all time has long been a mystery – until now.

 

Carved into a monumental rock, the Descent of the Ganges stands at the site known as Mahabalipuram, built during the seventh and eighth centuries CE, on the Indian coast of the Bay of Bengal. It is among the most astonishing works of art ever created anywhere in the world.

 

Yet no one knew who the artist was who created this extraordinary work. Until now.

 

Balaji feb 2 2018. shphoto

 

On January 11, 2018, at the Indological Centre of the C.P. Ramaswami Aiyar Foundation, Dr. G. Balaji announced at a press meeting a remarkable discovery – the identity of the chief sculptor and architect, whose name was Kevata Peruntachan.

 

The Descent of the Ganges is one of the 400 ancient monuments at Mahabalipuram that stand as witnesses to a time when gods and heroes must have been closer to the earth than they are now. The artwork is simple, elegant, and profound, created in the style of the Pallava kings who ruled at that time.

 

96 feet long and 43 feet high, the Descent of the Ganges, also known by its other name, Arjuna’s Penance – was sculpted out of one single monolith, a giant rock.

 

During the reigns of other dynasties such as the Chollas and the Vijayanagaras, sculptors often tucked a little self-portrait of themselves into a corner of their work, but this seemed not to have been the case at Mahabalipuram.

 

Still, Dr. Balaji, a scholar with the C.P. Ramaswami Aiyar Foundation, who has visited and studied this monument for decades, always had a dream that he might someday identify the architect and sculptor. The nagging thought of who this person may have been returned to him over and over again over several years – it haunted him.

 

The land around Mahabalipuram is mostly flat land along the seacoast. Rock outcrops which became vast carved monoliths rise up out of the sand.

 

 

resizedBalaji's photo of chief sculptor IMG_4450_mail

 

Dr. Balaji pondered for many years, seeking the identity of the chief architect, and eventually was drawn to a series of figures to the left of the figure believed to be the great hero, Arjuna. Among these figures, one can see a man holding a chisel in his left hand. He wears a headdress and also a decorative sword, which indicate that he was a highly-skilled person of some standing – not just one of hundreds of sculptors, but in fact, as it dawned on Dr. Balaji, only this one, out of all the sculpted figures along the wall, could have been the chief sculptor and architect.

 

At a nearby village is a place called Nondivirappan Kudiraittoti where are found a list of names which scholars have long surmised might be the names of the Mahabalipuram sculptors. The name of one of them, Kevata Peruntachan, means “stone mason,” and his last name, Peruntachan means “chief architect.”

 

Putting all this together, Dr. Balaji was now confident that the long-lost chief sculptor of the Descent of the Ganges – one of the greatest artists of all time — had at last been found. Kevata Peruntachan has re-appeared to take his rightful place in history.

 

Most of the figures of the Descent of the Ganges, sculpted on the rock, come from the world of nature. They are animals, plants, and heavenly beings portrayed with great sensitivity.

 

Towering in the foreground are wonderful, life-like and life-sized, elephants. Nearby, a family of stone monkeys is preening each other. A mother cow licks her calf. A cat stretches her front paws up to heaven. All are shown with reverence and affection.

 

Clearly, this is an artist who deserves to live on in the memories of all those who stand in awe at the feet of his eternal sculptures — among the greatest works of art ever created.

 

Dr. Balaji enjoys bringing the past alive – for students and for so many others whose lives are enriched by a deeper perspective of centuries gone by.

 

Dr. Balaji grew up in Chennai. With his keen interest in history, he looked into his own family background, and he discovered a long legacy of cloth-making. Around a hundred and fifty years ago, during the reign of the Nayak kings, a cloth trading community migrated south and moved into a western section of Chennai (then Madras), settling in the Egmore area. The British colonial rulers needed local people to manufacture and sell cloth. A fort in that area later became the famous Egmore Railway Station. Dr. Balaji has early memories of his father trading in cloth.

 

Ever fascinated by the past, Dr. Balaji was drawn to a different path in life – to re-awaken and bring to light amazing vistas of Indian art, culture, archeology, and history.

A prolific writer, he is author of several books and many articles. One of his books, TRIBES OF NILGIRIS – Arts & Crafts of the Kotas, Kurumbas, Irulas & Paniyas shines a light on four of the oldest tribes in south India and is a tribute to the diverse traditions that make up the great nation of India.

At the C.P. Ramaswami Aiyar Foundation, Dr. Balaji’s quest for understanding continues to unfold, as he uncovers for the world the rich, myriad strands of Indian civilization.

 

Photos:

Top Photo: Dr. G. Balaji / Mahabalipuram

Second photo: Sharon St Joan / Dr. G. Balaji

Third Photo: Dr. G. Balaji / detail of Mahabalipuram showing the head sculptor and architect, with the chisel in his left hand.

 

© Forest Voices of India, 2018

 

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