Category: art and culture of India


Ring-necked Indian parakeet

Photo 48071477 © Glacyer | Dreamstime.com

By Sharon St Joan

A breeze came through the window as Captain Sundaram sat at a table composing a letter. He wrote many letters – thousands during his lifetime on behalf of animals – often dozens of letters each week. This one was to the temple authorities of the Meenakshi temple in Tamil Nadu, in south India.

He asked that the temple discontinue their practice of allowing worshippers to donate parakeets to the temple. These long-tailed parakeets – or parrots as they are generally called in India — were being sold to devotees by shops along the streets near the temple. After they were purchased, the birds were then given to the temple, supposedly as an offering to the Goddess Meenakshi, who was always depicted along with a parrot. Sadly, instead of being well cared for, the parrots then found themselves in an overcrowded aviary at the temple, where they did not live long.

Early days of Blue Cross of India

Captain Sundaram, along with his wife Usha Sundaram and his son, then a teenager – now Dr. Chinny Krishna -was one of the founders of the organization Blue Cross of India. Blue Cross is well known all over India for their outstanding work with and on behalf of animals.

Today, several decades later, whenever Dr. Chinny Krishna is visiting Madurai and has a chance to go back to the Meenakshi temple, he is pleased to note that the big parrot cage is now gone forever and that the parrots are no longer condemned to life in a cage. The big cage was taken down and the parrots are instead flying free in the wild, as they should be, as native birds of India.

When the temple authorities discontinued the practice of allowing birds to be donated to the temple, newspaper reports at the time reported that this practice was being stopped. They gave credit to Blue Cross of India for their persevering work encouraging the temple to abandon the unkind practice.

Back to the wild

The long-tailed parrots – or parakeets — are a species native to India, where they have always lived happily out in the wild. They can also be spotted up in the branches of city trees – and definitely heard as well. Like parrots generally, they enjoy singing really loudly, especially as the sun sets in the early evening.

Now flying free in the wild, the parrots are happy, and Dr. Krishna smiles too, glad that that they are living their lives in freedom.

His father’s letters, over so many years freed many birds and animals from harsh treatment. It was a mistreatment that did occur, but that was always out of line with the ancient reverence that people in India have traditionally held for the natural world – a country where animals historically have always held a respected place as the companions and friends of the Gods that are worshipped.

Blue Cross of India is now celebrating their 60th year of saving many thousands of city animals – and occasionally protecting wild ones, like the parrots. Blue Cross is the largest, the best known, and the earliest of the modern animal organizations in India, which now number several thousand groups.

At the Ramaswami Foundation, children enjoy a lively celebration with a peacock dance. This is from two years ago, right before the pandemic and was part of the celebration of Republic Day.

As well as the offices of the Ramaswami Foundation and the CPR Environmental Education Centre, this property, on four acres, is also the location of the CP Art Centre, where art exhibits are held.

On the other side of the buildings shown here, there are shops facing the street, used by women who do beautiful handicrafts and clothing. Inside, up a little semicircular walk, is a large exhibit hall and, upstairs, is another hall for lectures and other events.

Near the offices of the Ramaswami Foundation (the C.P.Ramaswami Aiyar Foundation) is the main hall of the original 400 year old building, which is still in use. A section of the building had to be remodeled following severe flooding in 2015. One of the leading charities in India, the Ramaswami Foundation was established here over fifty years ago.

The outreach programs of the two sister organizations, the Ramaswami Foundation and the CPR Environmental Education Centre, extend over six Indian states including the Andamans Islands, reaching 50,000 students a year, and many thousands of other people as well, including tribal artists and women being trained to start their own businesses.

In other buildings, not visible here, are the Saraswathi Kendra Learning Centre, for children with learning challenges – and also the award-winning Grove School.

Normally, these are all very busy places, bustling with activity. During the time of covid, for the past two years, even when there have not been lockdowns, the number of occupants has been greatly restricted.

Now, with the arrival of spring, life is returning and brighter days lie ahead.

Young women sit on the floor, deeply engaged with the task in front of them. Learning how to shape and polish coconut shells into wonderful animal and other shapes – they are also taught how to use machines that will help them in their work.

Dr. Pellur Sudhakar, the Director of CPREEC (the C.P.R. Environmental Education Centre), has traveled to Gudalur, a city in the Nilgiris Hills in south India, to conduct classes in making traditional handicrafts.

Handcrafted products made from coconut shells can be wonderfully imaginative.

Coconut trees grow abundantly in India, and many products are made from them, for example, coconut oil. After the oil is extracted, the shells are left, and this extremely abundant material, which would otherwise go to waste, can be turned into delightful works of art.

CPREEC teaches groups of students or teachers, or both, how to do these crafts. By teaching the teachers, who pass on what they have learned, they reach a great many students.

The Nilgiris hills of Tamil Nadu, where the town Gudalur is located, are one of the most beautiful places on earth. Unbelievably green hills are enveloped in mist that drifts among the hills. It is a magical landscape. Gudalur is the farthest point west in the south Indian state of Tamil Nadu.

In the town of Gudalur, thirty young women, from a low-income background, were identified as trainees to take part in the two-month training program to learn how to make coconut shell products. CPREEC came up with the products that would have the greatest marketing potential: “angry birds,” spoons, bowls, cups, key chains, soap stands, incense stands, flower vases, wall hangers, and doorbells. The young women were taught how to make these.

An expansive program

In 2020, Dr. Sudhakar and his team traveled to 24 locations in four different states to teach teachers and students. The course in how to make handicrafts from coconut shells was just one of several programs that were offered to the students. As well as the town of Gudalur, the training programs also traveled to twenty-six other locations.

In the Tumakuru district of Karnataka, the state just west of Tamil Nadu, another hill district, a range of hills 4,000 feet high, running north to south, creates spectacular vistas, as one looks down over the valleys below. It is a wonderland of green hills.

In the state of Odisha, to the north, they traveled to the Khorda District, a land of coastal plains and startingly beautiful, ancient temples.

The long history of Indian folk art

Handicrafts in India are not something that one just does as a hobby. They are part of a long, much respected culture and tradition – an art form that has been passed down from generation to generation. Indian handicrafts are extraordinarily beautiful and creative.
CPREEC taught the trainees how to use machines safely — grinding wheels, polishing tools, cutters, and drills to make and polish the finished products. The young women were also trained to use natural colors to decorate the products. The training would enable each of them to make a good living as an entrepreneur, and also a professional artisan.

Producing this beautiful and very popular form of folk art will give them a livelihood based on creativity and inspiration, which engages their inner spirit and natural joy in producing works of beauty. It is an art form that is filled with life and charm – that will bring delight both to themselves and their customers.

Helping the earth

As well as artistic creativity, the coconut shell products are friendly to the environment. They make use of a by-product – the coconut shell – left over from the production of coconut oil or coconut milk. The process destroys nothing and creates great beauty.

During the year 2020, in 27 programs, reaching 1,215 students and teachers, which took place in 24 towns – from the Nilgiris hills to Andhra Pradesh and Odisha, further north along the coast, Dr. Sudhakar and his team have brought out the natural creativity of these young people, giving them a very practical – as well as delightful and environmentally friendly — future. They will now be equipped to make their way in the world with confidence and pride in their own talents and abilities.

Photos:

Photo of Gudalur. Needle Rock View Point
Raj, CC BY 2.0 , via Wikimedia Commons

All other photos: CPREEC

© Text copyright, Forest Voices of India, 2021

Most of us cannot speak Tamil; however, if you take a moment or two to look at this beautiful video – somewhere in the middle, you will be able to get an idea of the peaceful, graceful surroundings of the C.P. Ramaswami Aiyar Foundation….

Mrs. Tamima

Mrs. Tamima’s business is called “101 Strawberries”

She makes a great many different varieties of jam: strawberry, kiwi, fig, plum, apple – 22 varieties in all. Also, some chutneys, south Indian pickles, and brownies. Her customers call her and place their orders on the phone.

Around twenty years ago, she went to a class to learn to make jam. Then she gave some jam to her friends to taste. “They liked it a lot!” she says. That’s how her business got its start.

In one day, she can make five to ten jars.

She has to wash the fruit, then chop, cook, and boil them all. It’s a lot of work, but she explains “It’s very satisfying to get to the end of the day and see that it is done.”

She calls her business “101 Strawberries” because when she asked her niece to suggest a name, her niece replied that she had just been watching 101 Dalmatians, so why not call it, “101 Strawberries?” – which she did.

For the past fifteen years, she’s been coming to the C.P. Art Centre to take part in the Women’s Bazaar when it is held once a year. The C.P. Art. Centre is run by the CPRA Foundation in Chennai, in south India.

Mrs. Tamima’s lovely smile indicates clearly how much she enjoys what she does!

It would be hard to underestimate the transformative power that running their own business has meant for these women. On a practical level, it’s a huge help to the family income and on an emotional level, it’s a great blessing!

Mrs. Rukmani Jayaraman

Mrs. Rukmani Jayaraman sells Tanjore paintings and temple jewelry.

Tanjore paintings are a classical art form, which began centuries ago during the time of the Chola Empire. Its popularity continues today. Mrs. Rukmani Jayaraman sells these paintings which are done by artists in Tanjore, a city known for its artistic expression, around 200 miles (340 kilometers) to the south of Chennai, in south India.

Income means a lot

Running their own business helps the women, whatever their circumstances may be. For some, their income has been really essential, and it has enabled them to feed their families and send their children to school (which is not free in India). For others, it has simply made the family’s life easier, and enabled them to have some extra money to spend.

Their prosperity brings happiness. The sense of community, of getting together with the other women, is a joyful occasion. They take breaks together and catch up with each other’s news. They feel a sense of gratitude to the CPRA Foundation for making all this possible, and especially to Mrs. Shantha, Manager of the C. P. Art Centre, who organizes the entire bazaar and encourages each of them.

Mrs. Sajida

Mrs. Sajida has been selling textiles for sarees for more than twenty-five years.

The Women’s Bazaar has helped these women to get a start and has taught them how to run their own businesses.

These are all traditional Indian enterprises. With their businesses these women are also doing their part to preserve the art and culture of India, including folk art, which always has a meaning and a cultural value.

The women do not pay any of the overhead expenses of running the Women’s Bazaar so that they can keep all of the income they make, so if you’d like to help with a donation, that will go toward the costs of running the Women’s Bazaar and benefitting the women.

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Update – Covid precautions. These photos were taken during a previous visit to India before the pandemic. Since then, during the pandemic, all covid precautions have been taken, with mask being worn, social distancing, and limits to the number of visitors.
The exhibition held from March 4-9, 2020, was inaugurated by Mrs. Suhassini Maniratnam, film actor and director.
The exhibition held from March 9-14, 2021, was inaugurated by Mrs. Akhila Shrinivasan, woman entrepreneur.

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As the breadwinner for her family, Mrs. Vijayalakshmi makes pickles and Indian tortillas called papads.

Sunlight streams across the entranceway as the women set up their products on tables.

Nearby is a busy street, not too wide, but busy enough. Trees grow in the outside area, casting friendly shadows over the tables. There is an outside area and then several inside shops, all buzzing with activity at the Women’s Bazaar which is about to begin.

Many of these women have been participating in the Women’s Bazaar at the C. P. Art Centre every year for 25 years since it first began, and others have been there fifteen or twenty years.

These determined women have overcome hurdles and obstacles to create successful sources of income for their families and themselves. Earlier in their lives, few of them had envisioned a career as entrepreneurs.

They have been mothers and housewives who rose to the occasion when their circumstances required it.

Stepping up to help women become creative

The CPRA Foundation stepped up to fill a need and to empower these women who had never been involved in the world of business, showing them how to make use of their own gifts and talents.

Most of the products they sell are handmade. They may be food made from recipes passed down from generation to generation or may be textiles either bought or created by hand. All the products are environmentally and animal-friendly – for example the beautiful jute handbags that otherwise might have been made of leather. Mrs. Niraimathi runs a very successful business now and also provides all the jute bags that the C.P. Art Centre uses for conferences and other events.

Mrs. Niraimathi

Having learned how to market their wares at the CPRA Foundation, these entrepreneurs are now able to expand their reach by selling products at other venues too, creating a steady income.

The income from their enterprise may cover food and the family’s basic needs, as well as their children’s education from elementary school on through high school and university. In some cases, they are the sole breadwinner. In other cases, their income supplements that of their husband.

Mrs. Shanthi with her pickles, powders, sweets, and savories

Self-reliance brings freedom

As well as providing for the needs of the family, having their own income brings a whole new sense of freedom and well-being into their lives.

With their children provided for, they may be able to expand their businesses to open their own boutiques or shops. No longer feeling trapped inside the house, they are out and about, leading active lives.

The entire day at the Women’s Bazaar is not all spent working – there is time for taking a break together, renewing friendships, and catching up with each other’s news.

Mrs. Shakila displays her cloth garlands for pooja (devotional services) and door decorations.


A community of friends

They value the time spent with each other highly, and they form a community of those who have – over the course of 15-25 years — returned again and again to take part in the Women’s Bazaar – which is always there for them as a steady presence in their lives. They appreciate the warmth and friendship of other women in the community as well as the guidance provided by the C.P. Art Centre – and the ever-present encouragement extended by Mrs. K. Shantha, the Manager of the Centre – who is always a dynamic, lively, and inspiring presence.

Mrs. K. Shantha, Manager of the C.P. Art Centre

The value of economic freedom is hard to overstate. Some among us may take it for granted – but it is a lifeline that makes a big difference towards peace and well-being in the lives of all of us.

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Update – Covid precautions. These photos were also taken during a previous visit to India before the pandemic. Since then, all covid precautions have been taken, with mask being worn, social distancing, and limits to the number of visitors.
The exhibition held from March 4-9, 2020, was inaugurated by Mrs. Suhassini Maniratnam, film actor and director.
The exhibition held from March 9-14, 2021, was inaugurated by Mrs. Akhila Shrinivasan, woman entrepreneur.

***